OGEMA : I AM WOMAN
winsor
gallery presents ogema : I am woman
Curated
by Lea Toulouse
Winsor Gallery is pleased to
present a group exhibition of new works featuring Maria Hupfield, Jeneen Frei Njootli, Wendy Red Star, Tsēma Tamara
Skubovius, Janice Toulouse, and
Olivia Whetung.
Omega: I am
Woman
will run from March 9th, 2016 - March 29, 2016 with an opening reception on
Wednesday, March 9th from 6 - 8 pm.
The
exhibition Ogema: I am Woman centers
matriarchal modes of seeing and being: representations of First Nations as seen
and created by female artists Indigenous to North America. The exhibition is at
once a celebration and testimony that makes visible Indigenous accomplishments with a focus on
positive and constructive counteractions against the colonial violence
Indigenous people, and specifically Indigenous women, have endured and continue
to endure. This exhibition seeks to challenge what we know about Indigenous
women’s roles and lives with new and diverse representations of Indigenous matriarchy,
so that we may be better equipped to create and apply new values in our
everyday lives. This exhibition demonstrates one vision of Indigenous feminist
leadership in action, bringing to the fore various ways Indigenous women
create, practice, and live their traditional matriarchal values. The artists'
works speak through and beyond colonial history and language with reference to
the idea of ‘resurgence’ posited by Leanne Simpson in Dancing on our Turtle’s Back. An integral part of resurgence are creation
stories—stories that make up a significant part of the framework of Indigenous
identity. According to Simpson, we are taught to insert ourselves into the
story, as the artists do by capturing their own depictions of Indigeneity. The
term resurgence as defined by Simpson serves to enrich the definition of the
matriarch as it pertains to Indigenous people. This exhibition will establish
the role of Indigenous women in decolonization as first and foremost
self-determined, as well as raise questions surrounding decolonial theories and
traditions in the contemporary contexts of both art and politics, using the act
of creation as a political performance.
About the Artists
Maria Hupfield
Currently based in Brooklyn
New York I am waabaziikwe waabizhishi odoodem from Canada, and a member of
Wasauksing First Nation, Ontario. In 2014 I received national recognition in
the USA from the Joan Mitchell Foundation for my artist-sewn industrial felt
sculptures earning a Painting and Sculpture Grant. My work traveled across
Canada for the exhibit “Beat Nation: Aboriginal Art and Hip Hop,” and have
shown at the Museum of Arts and Design New York, Toronto Power Plant, and
7a*11d International Performance Festival. My recent project Artist Tour Guide
was commissioned by The Smithsonian’s National Museum of the American Indian,
New York with an iteration at The McCord, Montreal Quebec Canada. This summer I
designed a nine foot birchbark style hunting canoe out of industrial felt to be
assembled and performed in Venice Italy over three consecutive evenings for the
premiere of Jiimaan (canoe). I am an active member of Social Health Performance
Art Club in Brooklyn NY.
Jeneen Frei Njootli
http://freejoots.com/
Jeneen Frei Njootli is a
Gwich’in artist and a founding member of the ReMatriate collective. In 2012,
she graduated from Emily Carr University with a Bachelor of Fine Arts after
working as a Curatorial Assistant for Rita Wong’s Downstream: Reimagining Water
project. Later that year, she went on to hold a Visual Art Studio Work Study
position at The Banff Centre, which led to her participation in two thematic
residencies there in subsequent years, led by Duane Linklater in 2013 and Post
commodity in 2014. She is currently pursuing her Master of Fine Arts degree as
an uninvited guest on unceded Musqueam territory at the University of British
Columbia. Frei Njootli has worked as a performance artist, workshop
facilitator, crime prevention youth coordinator, hunter/trapper and has
exhibited across Canada.
Wendy Red Star
http://www.wendyredstar.com/
Wendy Red Star was born in
Billings, Montana just outside of the Crow Indian reservation where she was
raised. She grew up in a multi-cultural family. Her mother is of Irish decent,
her father a full blood Crow Indian and her older sister is Korean. Wendy left
the Crow Indian reservation when she was eighteen to attend Montana State
University in Bozeman, Montana where she studied sculpture. She then went on to
earning her MFA in sculpture at UCLA. Wendy currently lives in Portland, Oregon
where she is an adjunct professor of art at Portland State University.
Wendy Red Star’s work explores
the intersection between life on the Crow Indian reservation and the world
outside of that environment. She thinks of herself as a Crow Indian cultural
archivist speaking sincerely about the experience of being a Crow Indian in
contemporary society.
Tsēma Tamara Skubovius
http://www.esln.ca/
Tsēma Tamara Skubovius is an
interdisciplinary artist and member of the Tahltan First Nation. She attended
Kitinmaax School for Northwest Coast Native Art and later graduated with a BFA
from Emily Carr University of Art and Design in Vancouver BC. Her praxis stems from an Indigenous
perspective that weaves together cultural stereotypes to explore universal
narratives— such as how the value of land and resources are created and assessed
through Western measures-of-worth, and furthermore how cultural impact is
assessed and created. Tsēma has shown in numerous exhibits including notable
group exhibition, Interweavings for
emerging First Nations artists who have previously won a YVR art foundation
scholarship. Tsēma is currently a
student in the Interdisciplinary Master's in Art, Media and Design program at
OCAD University in Toronto.
Janice Toulouse
http://janicetoulouse.weebly.com/
Janice Toulouse is an
Anishinaabe artist and instructor, born and raised in Serpent River, Ontario.
She lives in Vancouver, B.C. and France. She has maintained a dedicated
painting practice, exhibiting her work internationally for over thirty years.
She holds an MFA from Concordia University in Montreal. Toulouse is a recipient
of several awards such as the Smithsonian National Museum of the American
Indian award and residency in New York. Currently she is teaching Contemporary
Aboriginal Art at Emily Carr University of Art + Design.
“My art is my statement on my
life as an Anishinabe Kwe through the language of contemporary art. My research
is revising history from an Indigenous perspective, to respect and connect all
life. As an artist and teacher, during my lifetime I have worked to bring
Indigenous art to the world." Collaborations: “From Manhattan to Menatay”
, AICH Gallery, 2006 New York. “Traveling Alter Native Medicine Show” 1999
Grunt Gallery, Vancouver, Aboriginal Art Centre, 1999, Ottawa, Thunder Bay Art
Gallery, Ontario, Sacred Circle Gallery, Seattle 2001. Thanks to Canada Council
of the Arts for funding several of my projects.
Olivia Whetung
www.aboriginal.ecuad.ca
Olivia Whetung is
mississauga–ojibwe–anishinaabe from Curve Lake First Nation, born and raised in
the territories now called “the Kawarthas”. She completed her BFA with a minor
in Anishinaabemowin in 2013 at Algoma University and Shingwauk
Kinoomaagewigamig in Sault Ste. Marie, Ontario. Whetung has been an uninvited
visitor to unceded Squamish, Musqueam, and Tsleil-Waututh territories for over
a year. In her current work, Whetung explores the work of beadwork as active
native presence and as indian simulation. She learned loomwork at a very young
age from her mother, Vicki Whetung. During her undergraduate degree, she
learned bead embroidery from Dorene Day and others at Shingwauk
Kinoomaagewigamig.
This exhibition is curated by Léa
Toulouse and is a collaboration between the Critical and Curatorial Program at
the University of British Columbia and Winsor Gallery. This project is made
possible with the support from the Killy Foundation and the Audain Endowment
for Curatorial Studies through the Department of Art History, Visual Art and
Theory in collaboration with the Morris and Helen Belkin Art Gallery at the
University of British Columbia.
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